Challenges Congo’s Post-colonial Leaders Faced In Trying To Set Up A Functional State

Challenges Congo’s Post-colonial Leaders Faced In Trying To Set Up A Functional State

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This assignment is asking you analyze the film Lumumba as a primary source. This
means looking at the movie in two different ways: as a portrayal of historical
developments, and as a biased interpretation of what actually happened. To treat any
material – be it a film, document, newspaper article, or memoir – as a source is to try
to understand the author’s purpose in producing the material, to appreciate what
“sell” she is trying to make to the reader or viewer, and to examine
how the author
employs facts, characters and events in the narrative to make this “sell” as effective
as possible. The “author” in the case of the movie is its producer, Raoul Peck. I
encourage you to do some online research about this individual to provide context to
your paper.
The paper consists of five questions about the film
Lumumba. Please write a response
at least one page in length to each question, for a total of a minimum of five full
pages. Please use 12 font with 1” margins and double space your responses. Points
will be deducted for formatting tricks such as major space between paragraphs and
for responses that are less than one double spaced page in length.
Please cite scenes and characters in the movie as specifically as possible. Also provide
the links and dates accessed for any websites you rely on your paper so I can look at
them as well.
1. What challenges did Congo’s post-colonial leaders face in trying to set up a
functional state?
2. Is the movie a story of good vs. evil? Or are the lines between the two murky? Refer
to specific characters (e.g., Lumumba, Pauline Lumumba, Tshombe, Mobutu,
Janssens, Kasavubu, Van der Meersch, Frank Carlucci – the US diplomat who is
unnamed in the film, etc.) and events to justify your assertions.
3. Does the director, Raoul Peck, absolve Lumumba of culpability in the violence that
encompassed Congo and in his own demise?
4. Does Peck treat the Belgian settlers as a unitary group, or do they appear to be a
diverse, and conflicted group? Do you think Lumumba would agree with Peck’s
presentation of their role?
5. Peck claims that he produced this film as a way of dealing with decades of pain and
rage that he nurtured surrounding Lumumba’s murder, which found reflection in his
own anguish concerning the tragic fate of his homeland, Haiti. Is this film a
memorial to the disappointment and failed promises of post-colonial Africa, or does
it offer a glimmer of hope?

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