Construction of masculinity & the construction of femininity in Dance Girl Dance
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Discuss both the construction of masculinity & the construction of femininity in Dance Girl Dance(1940, dir. Dorothy Arzner) and She Done Him Wrong(1933, dir. Lowell Sherman). How do the main characters conform to or resist conventional notions of gender?
How is power negotiated and deployed? Both films deal with female characters that are performers. How
do they ‘perform’ their gender? How do they deal with ‘to-be-looked-at-ness? Are the films similar or not?
In what ways? Make sure to quote from multiple readings to support your points and use specific examples
from the films – examples from both the content of the stories and the visuals—the compositions of shots,
where the camera is, how the audience is placed, etc.
The post Construction of masculinity & the construction of femininity in Dance Girl Dance first appeared on COMPLIANT PAPERS.
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